By Gerfried Stocker, Christa Sommerer, Laurent Mignonneau
Christa Sommerer and Laurent Mignonneau are of the main leading edge and the world over well known media artists and researchers. Their paintings has been known as "epoch-making" (Toshiharu Itoh, NTT-ICC Museum, Tokyo) for constructing typical and intuitive interfaces and for utilizing medical rules similar to man made existence, complexity, generative platforms and nanotechnologies to their cutting edge interface design.
This monograph represents a entire assessment of Sommerer and Mignonneau s artwork and examine. as well as offering specified venture descriptions of every interactive art, it contains essays and articles through hugely famous media students and theoreticians who convey the interactive artistic endeavors of Sommerer and Mignonneau in an artwork and media paintings historical past perspective.
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Additional resources for Christa Sommerer Laurent Mignonneau: Interactive Art Research
A few years prior Ray had created an artificial ecosystem called Tierra, which simu lated the principles of natural evolution on the computer. Sommerer and Mignonneau took up this concept in their A-Volve project and created an artistic contribution to artificial life research based on its principles. The use of software, concepts and terms deriving from artificial life research in the creation and realization of A-Volve and other art projects was promoted through Sommerer and Mignonneau’s cooperation with Ray.
Depths. By pushing the creatures together, one could make them mate – endlessly, if the action is repeated. One became a kind of mastermind of “artificial selection”, affecting the outcome without fully determining it. Interestingly, while the first role was individual, the second was potentially collective – several people could interact together. The tactile experience of touching the water was fascinating but not as integral to the interaction as the caressing of the plants in the Interactive Plant Growing.
The artworks by Christa Sommerer and Laurent Mignonneau are definitely some of the earliest responses of contemporary art to artificial life research. 5 Today, their interactive installations Interactive Plant Growing and A-Volve 58 are considered as milestones of interactive art. In the course of developing the concept for A-Volve, Sommerer and Mignonneau began to cooperate with the biologist and artificial life researcher Thomas S. Ray. A few years prior Ray had created an artificial ecosystem called Tierra, which simu lated the principles of natural evolution on the computer.